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电影十个情妇
Arci Muñoz / 克里斯·伯纳尔 / 凯特·亚历杭德罗
Follows the story of a widowed billionaire, Valentin Esposo, and his ten mistresses, fighting tooth and nail to become his new legal wife.
电影死了都要美
保罗·巴莱斯特罗斯 / 乔尔·托雷 / Gladys Reyes / 路易斯·艾伦迪 / Albie Casiño / Christian Bables / Inah de Belen / IC Mendoza / Cedrick Juan / Lou Veloso / Iza Calzado / 尤金·多明戈
Trisha, a transgender woman who makes a living as a beauty contestant, dies unexpectedly. Before she died, her one last wish was to remain beautiful even in death. This moving work, filled with laughs, is the latest effort by Jun Robles Lana.
剧集家裂巴塞罗那
妮可拉·沃克 / 史蒂芬·曼甘 / 安娜贝尔·斯考莉 / 菲奥娜·巴顿 / 伊恩·麦克尔希尼 / 寇布勒·霍尔德布鲁克-史密斯 / 伊丽莎白·罗伯茨 / Alex Guersman / 罗米娜·科卡 / 马努·弗欧拉 / 托比·斯蒂芬斯 / 黛博拉·芬德莱 / 蒂布·福特斯 / Dariam Coco
We left the final series with Hannah and Nathan attempting to divide up their twenty years together, and trying to navigate their way through a “good divorce”, questioning whether that is even possible. Two years on, formidable family lawyer Hannah Defoe (Nicola Walker) and her family are back and have gathered for a beautiful wedding at a magnificent vineyard, nestled in Catalonia’s wine region. Set across one sun soaked weekend, The Split will encompass break-ups, reunions and like all good weddings, plenty of romance. As the sun rises over the glorious Spanish countryside, Hannah is compelled to banish the ghosts of her past and open herself up to the possibility of love again. Can she find the courage to take the leap into a new future?
电影十个小三
Follows the story of a widowed billionaire, Valentin Esposo, and his ten mistresses, fighting tooth and nail to become his new legal wife.
电影似是而非的我们
Romnick Sarmenta / 伊利亚·坎拉斯
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)