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少儿摩登原始人第六季
艾伦·里德 / 约翰·范德·派尔 / 梅尔·布兰科 / 贝亚·本德雷 / 约翰·斯蒂芬森
This popular animated television cartoon featured two Stone Age families, the Flintstones and their neighbors, the Rubbles. Much of the humor was based on its comic portrayals of modern conveniences, reinterpreted using Stone Age 'technology.' Most notably were their cars, complete with absence of floorboards to allow them to be 'foot-powered.'
少儿摩登原始人第五季
艾伦·里德 / 约翰·范德·派尔 / 梅尔·布兰科 / 贝亚·本德雷 / 约翰·斯蒂芬森
This popular animated television cartoon featured two Stone Age families, the Flintstones and their neighbors, the Rubbles. Much of the humor was based on its comic portrayals of modern conveniences, reinterpreted using Stone Age 'technology.' Most notably were their cars, complete with absence of floorboards to allow them to be 'foot-powered.'
少儿摩登原始人第三季
约翰·范德·派尔 / 艾伦·里德 / 梅尔·布兰科
原始人的生活是怎么样的?弗瑞德一家和他的朋友们告诉你,原始人的生活也同样精彩和有趣。开着石头做的汽车、读报纸、打石头做的高尔夫和保龄球,照相机、电话,现代物品一样不少,只是以另一种形象出现。摩登如同现代人。上班族的弗瑞德和他的邻居巴尼总会时不时的惹出一些小麻烦,一出出波折不断、爆笑有趣的故事不断在石器时代的原始小镇上演。<br>动画片自1960年开始首播,风靡全球。先后被译成22种语言相继在80多个国家播出。90年代被导演史蒂文.斯皮尔伯格的制作公司改编成故事片。
少儿摩登原始人第二季
约翰·范德·派尔 / 艾伦·里德 / 梅尔·布兰科 / 贝亚·本德雷 / 唐·梅西克
The Flintstones is an animated, prime-time American television sitcom that was broadcast from September 30, 1960 to April 1, 1966 on ABC. The show was produced by Hanna-Barbera Productions. The Flintstones was about a working-class Stone Age man's life with his family and his next-door neighbor and best friend. The show's continuing popularity rested heavily on its juxtaposition of modern everyday concerns in the Stone Age setting. The show is set in the Stone Age town of Bedrock. (In some of the earlier episodes, it was also referred to as "Rockville".) In this fantasy version of the past, dinosaurs, saber-toothed tigers, woolly mammoths, and other long-extinct animals co-exist with cavemen. Like their mid-20th century counterparts, these cavemen listen to records, live in split-level homes, and eat out at restaurants, yet their technology is made entirely from pre-industrial materials and largely powered through the use of animals. For example, the cars are made out of stone, wood, and animal skins, and powered by the passengers' feet (as in the theme song, "Through the courtesy of Fred's two feet"). The original pilot episode clip was called the "Flagstones" (which first appeared in 1959 as a 90-second promotion to draw advertisers to the show) and was later reincorporated into the show's first episode (third episode in original air date order). The show's name was changed to "The Flintstones" shortly thereafter. Technology Often the "prehistoric" analog to a modern machine uses an animal.[5] For example, when a character takes photographs with an instant camera, inside the camera box, a bird carves the picture on a stone tablet with its beak. In a running gag, the animal powering such technology would frequently break the fourth wall, look directly into the camera at the audience and offer a mild complaint about his job. Other commonly seen gadgets in the series include a baby woolly mammoth used as a vacuum cleaner; an adult woolly mammoth acting as a shower by spraying water with its trunk; elevators raised and lowered by ropes around brontosauruses' necks; "automatic" windows powered by monkeys on the outside; birds acting as "car horns", sounded by the driver pulling on their tails or squeezing their bodies; an "electric" razor made from a clam shell, vibrating from a honey-bee inside; a pelican as a washing machine, shown with a beakful of soapy water; and a woodpecker whose beak is used to play a gramophone record. In most cases, "The Man of a Thousand Voices", Mel Blanc, contributed the animals' gag lines, often lowering his voice one to two full octaves, far below the range he used to voice the character of Barney Rubble. In the case of the Flintstones' cuckoo clocks, which varied from mechanical toys to live birds announcing the time, when the hour approached 12:00, the bird inside the clock "cuckooing" usually just ran out of steam and gave up vocally, physically, or both. "Stone-age" names The Stone Age setting allowed for gags and word plays involving rocks and minerals. For example, San Antonio becomes "Sand-and-Stony-o"; the country to the south of Bedrock's land is called "Mexirock" (Mexico). Travel to "Hollyrock", a parody of Hollywood, usually involves an "airplane" flight — the "plane", in this case, is often shown as a giant pterosaur, with the fuselage strapped to its back. Sun Valley becomes "Stone Valley" and is run by "Conrad Hailstone" (Conrad Hilton). The last names "Flintstone" and "Rubble", as well as other common Bedrock surnames such as "Shale" and "Quartz", are in line with these puns, as are the names of Bedrock's celebrities: "Gary Granite" (Cary Grant), "Stony Curtis" (Tony Curtis), "Ed Sulleyrock/Sulleystone" (Ed Sullivan), "Rock Pile/Quarry/Hudstone" (Rock Hudson), "Ann-Margrock" (Ann-Margret), "Jimmy Darrock" (James Darren), "Alvin Brickrock" (Alfred Hitchcock), "Perry Masonry/Masonite" (Perry Mason as played by Raymond Burr), "Mick Jadestone and The Rolling Boulders" (Mick Jagger and The Rolling Stones, called "Mick Jagged and the Stones" in live-action film The Flintstones in Viva Rock Vegas), "Eppy Brianstone" (Brian Epstein) and "The Beau Brummelstones" (The Beau Brummels). Once, while visiting one of Bedrock's houses of "Haute Couture" with Wilma, Betty even commented on the new "Jackie Kennerock (Jackie Kennedy) look". In some cases, the celebrity featured also provided the voice: "Samantha" and "Darrin" from Bewitched were voiced by Elizabeth Montgomery and Dick York. Examples from the above list include Ann-Margret, Curtis, Darren, and the Beau Brummels. Other celebrities, such as "Ed Sulleystone" and "Alvin Brickrock", were rendered by impersonators. Some of Bedrock's sports heroes include: football player "Red Granite" (Red Grange), wrestler "Bronto Crushrock" (Bronko Nagurski), golfer "Arnold Palmrock" (Arnold Palmer), boxers "Floyd Patterstone" (Floyd Patterson) and "Sonny Listone" (Sonny Liston), and baseball players "Sandy Stoneaxe" (Sandy Koufax), "Lindy McShale" (Lindy McDaniel), "Roger Marble" (Roger Maris), and "Mickey Marble" or "Mickey Mantlepiece" (Mickey Mantle). Ace reporter "Daisy Kilgranite" (Dorothy Kilgallen) was a friend of Wilma. Monster names include "Count Rockula" (Count Dracula), Rockzilla (Godzilla), and "The Frankenstone Monster" (Frankenstein's monster).
电影谁陷害了兔子罗杰
鲍勃·霍斯金斯 / 克里斯托弗·洛伊德 / 乔安娜·卡西迪 / 查尔斯·弗莱舍 / 斯塔比·凯耶 / 阿兰·提尔文 / 里夏尔·勒帕芒捷 / 贝齐·布兰特利 / 乔·西尔沃 / 理查德·赖丁斯 / 乔尔·库特拉拉 / 艾德·赫利希 / 艾普尔·温切尔 / 梅·奎斯特尔
在美国洛杉矶有一个专供卡通人物居住的“图恩城”,卡通明星兔子罗杰(Charles Fleischer 配音)怀疑妻子杰西卡(凯瑟琳·特纳 Kathleen Turner 配音)有外遇,拍戏时常常走神,遭到他的搭档娃娃哈曼的奚落。卡通电影公司老板马隆便雇佣私人侦探埃迪(鲍勃·霍斯金斯 Bob Hoskins 配音)去查明情况,并拍下杰西卡偷情的照片,好让罗杰下定决心,斩断情缘,专心投入卡通系列片的拍摄。埃迪因自己的弟弟特迪不久前被“图恩城”的卡通角色暗害,也急于早日追出凶手,便慨然将此事承诺下来。而随着调查的深入,事情并不像埃迪想的那么简单,其中还另有奸情,慨然将此事承诺下来,就不能轻易放弃,埃迪能否找到案件背后的真相呢……<br>本片根据加里·沃尔夫的同名畅销小说改编,同时是一部真人和动画相结合的影片。
电影吃鸟瘾
梅尔·布兰科
希尔维斯特猫(Mel Blanc 配音)每日以恐吓、追逐崔弟鸟为乐趣,它时刻谋划着将崔弟变成自己的盘中美餐。但有一天,一只老猫改变了它的生活。笨猫加入了一个吃鸟上瘾的纠正会,经过一段时间的治疗和交流,希尔维斯特以崭新的面貌回到家中。他对崔弟表现出前所未有的友好,一度让崔弟以为从此可以高枕无忧。 然而猫就是猫,希尔维斯特渐渐无法忍受吃鸟欲望的折磨,它一次次将魔爪伸向崔弟,一次次又痛苦地撤回,本性和信念让这只笨猫几近崩溃…… 本片荣获1958年奥斯卡最佳动画短片奖。
电影飞毛腿冈萨雷斯
梅尔·布兰科
墨西哥边境线上,一群面黄肌瘦的小老鼠对着不远处的奶酪工厂望眼欲穿,然而他们却无法靠近,因为邪恶的希尔维斯特猫(Mel Blanc 配音)守在必经之路上。墨西哥鼠派出的敢死队接连遭受失败,万般无奈下,只得求助素有飞毛腿之称的冈萨雷斯(Mel Blanc 配音)。 冈萨雷斯欣然同意,来到边境线上,与希尔维斯特展开一场精彩刺激的奶酪攻防战,最终大获全胜。 本片荣获1956年奥斯卡最佳动画短片奖。
电影由于有点印象
梅尔·布兰科
一只臭鼬钻进了一家名贵的香水店中,这让老板既恼火又着急,连警察在臭气面前也束手无策。正焦急间,一只黑色的母猫误入香水店,偶然打翻白色液体,将自己的毛皮染上白道,宛如一只臭鼬。臭美的臭鼬公子未加甄别,竟爱上了小母猫。它向眼前的美女展开热烈的爱情攻势,然而母猫却被它的臭气熏得头昏脑胀,落荒而逃。两个小家伙在店内展开了爱情追逐战。 偶然间臭鼬公子撞翻了桌子,身上的臭气和白条被掩盖,这让母猫以为它遇到了一位帅气的小公猫,于是乎…… 本片荣获1950年奥斯卡最佳动画短片奖。
电影随着我的节奏舞动
梅尔·布兰科 / Vivian Dandridge / Danny Webb
懒人镇,镇如其名,在这里看不到紧张忙碌的工作场面,也碰不见行色匆匆的路人。温暖慵懒的空气缓缓流动,黑人镇民以及小动物们仿佛被沙仙施了魔法一般都陷入沉睡之中,整个小镇没有一丝生气。<br>一艘客轮靠近小镇,美丽性感的爵士女郎步下阶梯,她唱起欢快激情的哈莱姆旋律,懒惰的人民为这轻快的舞步和跳跃的节奏所感染,纷纷从沉睡中醒来,快乐地工作,尽情地玩耍。懒人镇重新充满活力……
纪录片梅尔·布鲁克斯九十九岁老人
梅尔·布鲁克斯 / 本·斯蒂勒 / 杰瑞·宋飞 / 亚当·桑德勒 / 尼克·克罗尔 / 帕顿·奥斯瓦尔特 / 戴夫·查普尔 / 柯南·奥布莱恩 / 乔什·加德 / 吉米·坎摩尔 / 艾米·舒默 / 萨拉·西尔弗曼 / 崔茜·尤玛 / 罗伯·莱纳
MEL BROOKS: THE 99 YEAR OLD MAN! explores the life, career, friendships, and loves of legendary writer, director, producer, and performer, Mel Brooks. One of Hollywood’s most daring satirists from the early years of television sketch comedy through his film and stage hits, Brooks has held a funhouse mirror up to the human condition and used laughter as a path to resilience, con..