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电影
死神假期
1934 / 美国 / 爱情 / 奇幻
弗雷德里克·马奇 / 伊夫琳·维纳布尔 / 盖伊·斯坦丁 / 凯瑟琳·亚历山大 / 吉尔·帕特里克 / 凯瑟琳·霍华德 / 肯特·泰勒 / 亨利·崔佛斯 / G·P·亨特利 / 莫洛尼·奥尔森 / 赫克托·萨尔诺 / 菲利普斯·斯莫利 / Helen Westley / Anna De Linsky
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
电影
火球
1941 / 美国 / 剧情 / 喜剧 / 爱情 / 爱情片
加里·库珀 / 芭芭拉·斯坦威克 / 奥斯卡·霍莫尔卡 / 亨利·崔佛斯 / S·Z·萨卡尔 / 塔利·马绍尔 / 列昂尼德·金斯基 / 理查德·海顿 / 奥布里·马瑟 / 艾伦·詹金斯 / 达纳·安德鲁斯 / 丹·德亚 / 拉尔夫·彼得斯 / 凯瑟琳·霍华德
强尼是个很“自我”的小伙子，他偶拾一双速滑鞋，从此，改变了他的人生，正值他在赛场上春风得意之时，却又发生了意想不到的问题。奥·本恩是一名知名的传教士，他打心眼里认为强尼只不过是一个桀骜不驯的家伙，但是他一心要驯服他而使他成为一位优秀的速滑运动员。无可替代的性感女神。无比的鲜艳与活力，好莱坞独特魅力的象征，世人也因此倾心于她……梦露在影片中，扮演一位技艺超群的速滑手，在帮助强尼的过程中，演绎了一场感人肺腑的爱情故事。梦露在众人之中无愧是一朵常开不败的鲜花，剧中对白精辟入里，明星的音容笑貌不禁令人想入非非。

死神假期

火球